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Editors: Ellie Tomsett and Hazel Collie Family dynamics have long been an area of comic consideration (Mills 2009, Pugh 2018, White 2018). From the evocation of the mother-in-law on the live Working Men’s Club circuit (Double 2014), to the depiction of the nuclear family unit in traditional sitcoms from the 1950s onwards (Jones 1992), the interpersonal tensions of how we get along with our nearest and dearest have become a

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This is a call for chapters on the following FX Channel documentary and reality TV series: Morgan Spurlock’s 30 Days (2005) , New York Times Presents (2020-2023) , AKA Jane Roe (2020) , Welcome to Wrexham (2022-present) , and The Secrets of Hillsong (2023) for an edited book collection (The FX Reader), which is under a two-volume book contract with Syracuse University Press.

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Final Call for Papers Push: Childbirth in Global Screen Culture Amy C. Chambers, Xi W. Liu, Kate Taylor-Jones, Proposals due: 1st July 2024 After an impressive response to our initial call for papers we are in the process of bringing together an edited collection on this topic.

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Call for Papers Queer Children’s Film and TV: Gender, Sexuality and Childhood in Youth Screen Cultures Edinburgh University Press, Children’s Film and Television Series Rachel Milne and Abigail Jenkins (eds.) We are still looking for a couple of chapter proposals to fill some gaps in our forthcoming edited collection, Queer Children’s Film and TV . The collection explores depictions of queerness in and the queerness

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se see the following CFP for an edited collected on television series created by Golden Girls creator Susan Harris. Edited by Rosanne Welch This edited volume on the works of Susan Harris will be part of the new SCREEN STORYTELLERS series published by Bloomsbury Academic. Seeking 250-word abstracts for previously unpublished essays on television series created by Harris.

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The Witcher has had a lasting impression on fantasy across many media forms, first in Andrzej Sapkowski’s novels and, more recently, its many adaptations. Such adaptations have resulted in “extensive, self-contained fictional spaces” (Jański, 2018, p.119) which allows for a variety of characters, environments, and societies to be depicted from the perspective of the outsider.

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Global Perspectives on Soccer and the Media and Entertainment Industry Floribert Patrick C. Endong (Editor) University of Dschang, Cameroon Introduction Over the years, the political significance of football in the world has tremendously grown.