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8-10 July 2025 Edge Hill University, St James Campus, Manchester Oxford Road and online It has been 20 years since the conference that inaugurated Critical Studies in Television . Then, we invited scholars to reflect on the state of play regarding the field, allowing us to consider the multiple disciplinary influences, the breadth of its methodological approaches and future directions.

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Georgia State University Atlanta, Georgia June 27-29, 2025  In the contemporary media landscape, films are remade, television shows rebooted, videogames reimagined in a seemingly endless loop of reproduction. Reproduction, in the form of AI, was also at the heart of recent media industry labor actions.

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We’re delighted to announce our keynotes: Dr Debashree Mukherjee (Columbia University, USA) Dr Kate Terkanian (Bournemouth University, UK) This seventh iteration of the Women’s Film and Television History Network conference will foreground transnational and transmedial approaches to histories of women’s work in and across film, television and related media.

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IAMHIST is an international organisation of scholars, filmmakers, broadcasters and archivists dedicated to historical inquiry into film, radio, TV and other media. The study of film and media histories has long been dominated by western, often Eurocentric perspectives, in terms of content, theory and methodology.

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This seminar aims to explore TV-series at their intersection with philosophy. As a newer sibling to the sub-discipline of film-philosophy, TV-philosophy neither reduces television series to illustrations of pre-existing ideas, nor does it simply offer a ‘philosophy of’ a given series by exploring it from a range of philosophical angles. It rather sees TV series as capable of expressing thought through their specific forms.

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Author CSTonline

This seventh iteration of the Women’s Film and Television History Network conference will foreground transnational and transmedial approaches to histories of women’s work in and across film, television and related media. The conference seeks to expand women’s film and TV histories by exploring cross-border and cross-medial relationships.

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Author CSTonline

In the 1970s Anglo-American feminist scholars in a variety of disciplines began to explore the problematic representations of women in Hollywood cinema, issues and concerns over female spectatorship, as well as the history of women’s cinema in Hollywood and beyond.

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The last few years have seen a resurgence of interest in the nuclear – as both material reality and cultural phenomenon. On the one hand, the war in Ukraine has evoked memories of the Chernobyl (1986) and Fukushima (2011) disasters besides displaying the extent of globally dispersed nuclear weapon proliferation since the end of the Cold War.

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“Enfreakment in (Transnational) North American Culture” Conference at Leipzig University, Germany Institute for American Studies 22-23 May 2025 Organizers: Katja Kanzler, Ella Ernst, Laura Pröger, Anna Gaidash, Annika Schadewaldt, Stefan Schubert From the freak shows of the 19th century to contemporary odd, extraordinary, or otherwise exceptional characters, the ‘freak’ as a figure has seen tremendous popularity throughout US literature