IAMHIST is an international organisation of scholars, filmmakers, broadcasters and archivists dedicated to historical inquiry into film, radio, TV and other media. The study of film and media histories has long been dominated by western, often Eurocentric perspectives, in terms of content, theory and methodology.

This seventh iteration of the Women’s Film and Television History Network conference will foreground transnational and transmedial approaches to histories of women’s work in and across film, television and related media. The conference seeks to expand women’s film and TV histories by exploring cross-border and cross-medial relationships.

Conference call for papers: ‘Weddings and Funerals: UK Screen Industries in a Global Context, 1994-2024’, 13-14 ^th June 2024 A 2-day conference organised by the Centre for Converged Screen Media and Entertainment (COSME), Department of Communication and Media, University of Liverpool, 13-14 June 2024 Keynote Speakers: Dr Kay Dickinson (University of Glasgow,

When: Tue 13 June 2024, 10am-4pm Where: Queen Margaret University, Edinburgh (in person) Since the publication of Scottish Cinema: Texts and Contexts (Meir 2014), The New Scottish Cinema (Murray 2015) and Directory of World Cinema: Scotland (Nowlan and Finc 2015) there has been a notable absence of critical writing on Scottish Film and Television.

Conference to be held at the University of St Andrews 19th-21st June, 2024  Keynote Speakers: Seán Allan (University of St. Andrews), Erica Carter (King’s College London), Johannes von Moltke (University of Michigan)  Organisers: Paul Flaig and Dora Osborne

Television and Sustainability In 2015, the UN proposed 17 Sustainable Development Goals that are meant to guide humankind towards a more equitable future on a liveable planet. They address questions of health, society, culture and the distribution of resources while also being aware of the urgency to address climate change.

This two-day conference aims to re-evaluate the gothic proliferation, duplication, and industrial (over-)reliance on sequelisation that emerged from the 1980s studio system. This conference seeks to open and build upon significant discussions on sequels stemming from existing scholarship (Klein and Palmer, eds.

Terminator @40: Origins and Legacies  An academic conference hosted by The Centre for Film, Television and Screen Studies, Bangor University, Wales  18 & 19 June 2024  The Terminator franchise has left an indelible mark on popular culture.

The Disney, Culture and Society Research Network is pleased to announce its Call for Papers for the Second Annual Disney, Culture & Society Research Network Conference: Disney in a Time of Global Transformation.

Online conference organized by Justine Breton (Université de Reims Champagne-Ardenne, CRIMEL), Claire Cornillon (Université de Nîmes, RIRRA 21) and Florent Favard (Université de Lorraine, Crem). As a short-form comedy that draws on situational humor without being a sitcom, a fantasy series that hijacks the codes of science fiction to raise a number of philosophical and ethical questions, The Good Place is an original item within the