International conference hosted by the Metropolitan University in Prague and the School of Arts and Humanities, University of Lisbon/ULICES 6-7 March, 2026 | Online This online conference will focus on the representation of violence in contemporary audiovisual production, specifically in television series.
At this point, it may be prudent to ask what Amazon wants from streaming, other than the kinds of films and series it produces. Unlike other streaming platforms, APV is part of a massive company that sells far more than ‘just’ film and TV, but, well, everything.
What is Amazon Prime Video (APV)? I’ve been asking myself questions about what streaming is and where continuities and differences to other media forms lie, and how to make sense of it all for over a decade.
One of my favourite words in any language is one I learnt during my seven-plus years living in Wales: hiraeth. A rough translation – Welsh speakers, feel free to post a refined one in the comments!
While my feelings about it are somewhat mixed, Murderbot (Apple TV, 2025-), the streaming adaptation of the wonderful The Murderbot Diaries series by Martha Wells, expands upon one of the key elements of the book series: the serial-within-the-series called The Rise and Fall of Sanctuary Moon (SM). For those unfamiliar with any of these texts, […]
Throughout the year 2021, Disney+ released a series of…well, series, which took place in and followed various characters of the wider hyperdiegesis conventionally referred to as the Marvel Cinematic Universe (MCU).
If you live, like me, in The Guardian bubble, you will be heartened by the outspoken defence of the BBC in the last two days (The Guardian, 2025). But this defence clearly doesn’t come from all sides.
Just about exactly a year ago, on 19 November 2024, I e-mailed a group of colleagues expressing concern about the Terms of Use researchers had to sign up to it secure access to the immeasurably rich collections of the BBC Written Archives Centre (WAC) at Caversham.
In common with the other authors of this series of blogs, I am a regular user who knows first-hand the importance of the BBC’s Written Archives.
Roughly a decade ago, Netflix’s then–Chief Content Officer Ted Sarandos made a pessimistic remark about the future of reality TV on the platform at an investors’ conference, calling the genre “disposable,” and something that Netflix is not really invested in making.
It’s always bloody Doctor Who isn’t it? The show about the police box that’s bigger on the inside than it is on the outside.