This seventh iteration of the Women’s Film and Television History Network conference will foreground transnational and transmedial approaches to histories of women’s work in and across film, television and related media. The conference seeks to expand women’s film and TV histories by exploring cross-border and cross-medial relationships.
In the 1970s Anglo-American feminist scholars in a variety of disciplines began to explore the problematic representations of women in Hollywood cinema, issues and concerns over female spectatorship, as well as the history of women’s cinema in Hollywood and beyond.
Editors: Dr Pete Turner (Oxford Brookes University) and James Shelton (Buckinghamshire New University) Contact Email: refocusguyritchie@gmail.com The career of Guy Ritchie encompasses an eclectic selection of films across a number of genres.
The Historical Journal of Film, Radio and Television is an international and interdisciplinary journal concerned with the history of the audio-visual mass media from c.1900 to the present.
Comedy-drama The Good Place (NBC, 2016-2020) features a variety of existential and philosophical debates as part of its premise.
The last few years have seen a resurgence of interest in the nuclear – as both material reality and cultural phenomenon. On the one hand, the war in Ukraine has evoked memories of the Chernobyl (1986) and Fukushima (2011) disasters besides displaying the extent of globally dispersed nuclear weapon proliferation since the end of the Cold War.
“Enfreakment in (Transnational) North American Culture” Conference at Leipzig University, Germany Institute for American Studies 22-23 May 2025 Organizers: Katja Kanzler, Ella Ernst, Laura Pröger, Anna Gaidash, Annika Schadewaldt, Stefan Schubert From the freak shows of the 19th century to contemporary odd, extraordinary, or otherwise exceptional characters, the ‘freak’ as a figure has seen tremendous popularity throughout US literature
We are planning a peer-reviewed special issue of American Studies in Scandinavia focused on the topics of individuality and community in mid-century American culture (1945-1964), inviting explorations of the literature, film, art, and thought of the period. We seek 8,000-word articles that focus either on individual writers/artists/thinkers in the period or engage with the topic more broadly.
Dennis Wheatley sold around one million books a year at the height of his popularity and over 50 million in total.
Final Call for Papers Push: Childbirth in Global Screen Culture Amy C. Chambers, Xi W. Liu, Kate Taylor-Jones, Proposals due: 1st July 2024 After an impressive response to our initial call for papers we are in the process of bringing together an edited collection on this topic.
Nandor the Relentless (Kayvan Novak): ‘ It might have been a he. They [his wives] weren’t all women .’ Guillermo de la Cruz (Harvey Guillén): ‘ You could do that back then? ’ Nandor the Relentless: ‘ Of course. Some of my wives were girl wives, some of them were guy wives.
