Guest editors: dr. Manuel Menke (University of Copenhagen) & dr. Berber Hagedoorn (University of Groningen) For a special section on Digital Memory and Populism in the International Journal of Communication (IJoC), we invite contributions addressing the use of digital memory by populists, their supporters, and their opponents online.

The research project ’Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for Children and Young Audiences’ (RYA) seeks to provide detailed knowledge about the production and reception of film, TV and online fiction for children, tweens and teens through in-depth analysis of the current strategies for creating engaging fiction for young audiences and extensive qualitative case studies of their media use.

A few months ago, I was holding a book that I was going to review. I noted with a start the sheer pleasure of handling it. Everything – from the cover to the evocative illustrations to the quality of the paper to the clear typeface – was aimed at making this book an aesthetically pleasing experience.

In his book Seeing Things (2000), John Ellis hailed the emergent multi-platform environment of the twenty-first century as the ‘era of plenty’. When I ask my students to define what is meant by ‘plenty’, they invariably reply ‘a lot’. Well, yes – but that lacks one vital nuance. Plenty, I explain to them, means more than we need. Quite possibly, a lot more.

Please submit an abstract of no more than 300 words and a one-paragraph biography to SoundOnScreen2021@gmail.com by the deadline stated above. The inaugural Sound on Screen conference welcomes submissions from scholars that explore the relationship between music and/or sound and the screen.

This blog is adapted from a paper delivered at the 2020 Dial S for Screen Studies conference, organised by the Sydney Screen Studies Network. Fig. 1: Karl (Alan Fletcher) and Susan (Jackie Woodburne) enjoying a moment of intimacy in Neighbours episode 8572 (Australian airdate 5 March 2021). Screenshot taken by author.

The Superhero Project: 5 ^th Global Meeting Friday 10 ^th to Sunday 12 ^th September 2021 Die Wolfsburg, Mülheim an der Ruhr, Essen, Germany “This should be agony. I should be a mass of aching muscle – broken, spent, unable to move. And, were I an older man, I surely would… But I am a man of thirty – of twenty – again.

Given the uncertainty of the current context, our intention is to hold** a hybrid conference (attendees may deliver their papers online or in person). **If this hybrid model were not possible, we would then switch to a fully-online conference.

Call for proposals: Steve McQueen: “I want the burden”. **14 ^th Annual Contemporary Directors Symposium, University of Sussex, online, provisional date: Friday 24 September 2021 **

Okay girls and boys, gather round. Need your help here. Need your brains. Need your smarts. You’re clever people.  Most of you have got a degree.  Many of you have several degrees.  And probably a fair few have gone on for the doctorates – which reminds me, that rash at the back of my neck hasn’t cleared up yet so maybe you could take a look at it when we’ve sorted out this vastly more important issue.

Organized by: Istanbul Bilgi University, Faculty of Communication, Department of Film and Television Venue: Virtual Zoom Event Confirmed Keynote Speakers: Christian Katzenbach (Alexander von Humboldt Institute for Internet and Society, Berlin) Robert Prey (University of Groningen, Faculty of Arts) Diğdem Sezen (Teesside University, School of Computing, Engineering and Digital Technologies, Department of Transmedia Digital Art