The problem Its often been noted that under the author-pays model of publication (Gold open access), journals have a financial incentive to publish as many articles as possible so as to collect as many article processing charges as possible.

[Note added in press: Matt published his last post just as I was finishing this one up, so I am posting it without having read his beyond seeing that he also mentions All Yesterdays .] It was back at the Lyme Regis SVPCA in 2011 that I first saw the material that’s now available as the new palaeoart book All Yesterdays [amazon.com, amazon.co.uk]. It was the first talk of the conference, billed as an

Hi folks, It’s been a while since I posted here. I haven’t gone off SV-POW! or anything, just going through one of my periodic doldrums (read: super-busy with Other Stuff). I’m writing now to draw your attention to two books that I’m pretty darned excited about.

Today, PeerJ announced that it will open for submissions on December 3rd — next Monday. That’s great news for anyone who cares about the future of academic publishing: it’s out to make dramatic changes to the publishing workflow, including an integrated preprint server so that people can read your work while it’s in review.

The best open-access publishers make their articles open from the get-go, and leave them that way forever. (That’s part of what makes them best.) But it’s not unusual to find articles which either start out free to access, then go behind a paywall; or that start out paywalled but are later released; or that live behind a paywall but peek out for a limited period. Let’s talk about these.

[See part 1, part 2 and part 3 from a few months ago.] I’m horrified, but not as surprised as I would like to be, by a new paper (Welch 2012) which analyses peer-reviewer recommendations for eight prestigious journals in the field of economics.

In the previous section, we discussed the various licences that can be used for open-access articles. But that may have been premature, because licences are agreements whereby copyright holders waive some of their rights, and we hadn’t actually talked about copyright first. So let’s do that now. (This post is relevant to subscription publishing as well as open access.) Who owns copyright in a new work?

I hope it’s clear to anyone who’s been reading this blog for a while that I do try to be fair to Elsevier (and indeed to everyone). Although I’ve often had occasion to be critical of them, I’ve also been critical of Palaeontologia Electronica , PLOS and Royal Society publishing, among others; and I have praised Elsevier when they’ve done good things.

Thanks for sticking with this series. In part 1, we looked at what open access means, and what terms to use in describing it. In part 2, we considered the Gold and Green roads to open access. In part 3, we touched on zero-cost Gold OA, sometimes known as “Platinum”. This time, we’re going to get down the nitty gritty of the actual licences that govern what you can do with a paper that you’ve downloaded.

As we saw last time, the appeal of the Gold route to open access is that the publisher does the work of making the article freely available in an obvious, well-known place in its final typeset format. Conversely the appeal of the Green route is that it doesn’t cost the author or her institution any money. What happens when we combine these two advantages, and get publishers to typeset, publish and archive open-access articles at no charge?

Last night, I got a message from Joseph Kraus, the Collections & E-Resources Analysis Librarian at Penrose Library, University of Denver. He’s asking several open-access advocates (of which I am one) to answer a set of seven questions for a study that will investigate institutional activities and personal opinions concerning open access resources.