Request for Comments Draft, 18.3.2010 Volker Ralf Grassmuck * Licensed under the Creative Commons BY-SA BR 3.0 Licence 1 File-sharing has become wide-spread media cultural practice since Napster was launched in 1999. The response by the copyright industry has been repression. This has neither resulted in a decrease in the growth of file-sharing, nor in revenues for authors.
The Institute of European Media Law (EML) and the Project Group for Constitutionally Compatible Technology Design (provet) at the University […]
Am 25. Januar hat der Bundesverband Musikindustrie (BVMI) seine Position zur Kultur-Flatrate veröffentlicht.
One of the most radical thinkers about copyright has just published a new chapter in the ongoing exploration of a […]
anteprojeto or anti-project? A balancing of the rights of authors and consumers, the re-introduction of a private copying exception, a remixing permission and a new regulatory agency for copyright issues are among the core points the Brazilian Ministry of Culture has planned for the new copyright law.
Arthur Protasio, the coordinator of the Game Studies project at the Center for Technology and Society (CTS) of the FGV […]
(in gekürzter Fassung erschienen in der Zeitschrift für sozialistische Politik und Wirtschaft, 7/2009, 17.12.2009) Die Kultur-Flatrate (KF) ist alternativlos, weil […]
Next week Thiago invited me and two colleagues from G-Popai to the University Campinas.
The Fórum de Cultura Digital Brasileira including the Seminário Internacional will take place at Cinemateca from 18. to 21. of […]
Got my account today at the bank at the USP Leste campus.
Free and/or gratis Culture can be found in many places in Brazil even where you wouldn’t even think of it, […]
