Booking now open (£10/£5 students): http://www2.warwick.ac.uk/fac/arts/hrc/confs/bw This workshop will bring together scholars interested in how war has been broadcast to the public in the 20th and 21st centuries. From the early use of radio, through to newsreel, television, 24-hour news, and now social media, the ways in which war has been broadcast has constantly evolved.

Association for the Study of the Arts of the Present October 26-28, 2017 Hosted by the University of California, Berkeley at the Oakland Marriott City Center ASAP/9 invites proposals from scholars and artists addressing the contemporary arts in all their forms since the 1960s—literary, visual, performing, musical, cinematic, design, and digital.

CONSOLE-ING PASSIONS International Conference on Television, Video, Audio, New Media, and Feminism July 27-29 2017 East Carolina University Greenville, NC Console-ing Passions was founded in 1989 by a group of feminist media scholars and artists looking to create a space to present work and foster scholarship on issues of television, culture, and identity, with an emphasis on gender and sexuality.

**22 February 2017, NFT3, BFI Southbank, London, 11-6pm. ** An event co-hosted by the BFI, Learning on Screen/BUFVC and the Centre for the History of Television Culture and Production, Royal Holloway (in association with the AHRC-funded ‘Forgotten Television Drama’ research project) Rationale ·

The Northeast Popular/American Culture Association (NEPCA) is seeking papers on the subject of television for its annual fall conference to be held on the campus of University of Massachusetts Amherst on October 27-28, 2017. The deadline for proposals is June 1, 2017. NEPCA prides itself on holding conferences which emphasize discussing ideas in a non-competitive and supportive environment.

10 June 2017 10am–5pm, with a public screening at 6:20pm Venue: NFT3, BFI Southbank, London Featuring a Q&A with screenwriter David Rudkin Including contributions from: Roger Luckhurst (Birkbeck), Yvonne Salmon (Cambridge University), Will Fowler (BFI), Gareth Evans (Whitechapel Gallery), and more tbc.

A few weeks ago, I attended the annual MeCCSA conference, held at the University of Leeds. A dominant strand of the event centred around contemporary working cultures in the creative industries, with presentations on precarity, issues of diversity and equality within the sector and the psychological implications of ‘failure’ to name but a few.

The latest season of Sherlock concluded on January 15th in its unfortunately characteristic vein of ill-conceived pyrotechnics, scarcely-credible plot lines and levels of reality that test the patience of its viewers.

According to the most recent iPlayer monthly performance pack (April-June 2016) – a periodical report by the BBC that examines iPlayer usage – the online service fulfilled 290 million programme requests in June 2016 alone.

Summer in New Zealand has been particularly crap so far this year (storms and flooding), so my beloved and I had to travel to the Pacific Island nation of Samoa, in search of sun, some four hours on a plane heading north into the Pacific. I also had another purpose: a significant birthday fell on January 9 ^th and I wanted to be Where Nobody Knew My Name.

About two years ago, at a dinner party, with my husband to my left, I was surprised when I turned to my right to find Nancy Ford, the woman responsible for getting me my first job on a major network television soap opera. I hadn’t seen Nancy in more than 25 years.