English-language television comedy is circulating transnationally more than ever before, as Americans watch the Irish comedy Moone Boy on Hulu and British comedy panel shows like Have I Got News For You on YouTube; Netflix brings the BBC’s Miranda and RTE imports CBS’s 2 Broke Girls to Irish shores; the most popular sitcom on British television, Mrs. Brown’s Boys , is created by an Irish performer;

We seek proposals for a small number of original essays to include in Hands On History (eds. John Ellis and Nick Hall), an edited collection focusing on practical and embodied approaches to the history of media technology. The collection explores the relevance of the new methodology of hands on history to the study of media.

Guest Editors: Harriet Earle, Sheffield Hallam University, UK Jessica Clark, University of Suffolk, UK This call for papers seeks submissions that engage with the television series American Horror Story (produced by Ryan Murphy and Brad Falchuk) as part of a Special Issue for the European Journal of American Culture.

Reruns of television series have long been an integral part of the television market. Even though reruns have taken on different forms over the past decades – from television re-broadcasts to DVD box sets to online platforms such as Netflix – the underlying principle of rewatching familiar television content has remained the same.

I said it wouldn’t work, didn’t I? Yes, friends, after less than two years in operation, the BBC Store is shutting up shop, having admitted defeat ‘in the face of streaming service rivals’. Way back in November 2015 I blogged about the Store’s launch (I like to keep things current), when Auntie Beeb was proudly trumpeting the fact that over 7,000 hours of content, old and new, would be made available to purchase and view via

The more data we have, the less we can trust it. This is certainly true in the case of IMDb, the so-called movie database that is increasingly used by students and educators alike. Superficially, it has a history that shouts ‘trust me’: founded by a British film fan Col Needham before the World Wide Web even existed, it lived at one time on Cardiff University’s servers. Though later acquired and monetised by Amazon, Needham remains in charge.

The Handmaid’s Tale : Gender, Genre Adaptation – a one-day symposium Saturday, 30 September, 2017 Film Studies @ Worcester Jenny Lind Building, University of Worcester Despite being written over 35 years ago, Margaret Atwood’s The Handmaid’s Tale (1985), set in a totalitarian New England where fertile women are kept prisoner in reproductive servitude, has been making headlines in 2017 due to the remarkable

Friday 10 November 2017 – Newcastle University, Newcastle upon Tyne Since its first programmes aired in 1984, Canal+ has played a role in shaping not just the paysage audiovisuel français but also French society, culture, politics and economics in many significant ways.

DEADLINE EXTENDED TO 7 JULY 2017 ECREA Television Studies Conference 2017 The Future of European Television: Between Transnationalism and Euroscepticism From 15-11-2017 To 17-11-2017 Facultad de ciencias de la Comunicación Málaga Organized by the ECREA Television Studies section and the University of Málaga (Spain), in collaboration with “Production and circulation of media contents”

Donald Trump’s now infamous phrase ‘such a nasty woman’, uttered about his then rival Hillary Rodham Clinton in the 2016 U.S. presidential debates, was rudely used to patronise and belittle Clinton, who is known for being a strong, independent (and feminist) politician. In reality, Trump is not the only figure to characterise today’s women in this manner.

This symposium seeks to explore the relationships between truth, lies and media consumption throughout history and across media and cultural platforms. Fake news is not new.