Evolving global screen environments in the last decade have triggered fundamental changes to the phenomena previously understood as the “transnational,” as content creators articulate new forces that connect and at times separate people and institutions across national and cultural borders.

Dr Michael Samuel (Warwick) and Dr Louisa Mitchell (Independent Scholar) **contact email: **asiapacificscreencultures@gmail.com To the surprise of analyst expectations, at the end of 2019 Netflix recorded a record-high growth in subscribers and revenue outside of the United States, specifically in its Asia-Pacific region.

I was saddened to hear across the festive period of the death of the writer Philip Martin following a long battle with Leukemia. He was a writer whose television work – particularly his striking series Gangsters (1976-1978) – I enjoyed watching immensely and whom I was delighted to discover in correspondence and on the occasions that we met was as kind and helpful a gentleman as I could wish to encounter.

International Online Conference 25-26 March 2021 media.ameryka@gmail.com || @MediaConferen11 || #usmediaconference “The American media plays a bizarrely outsize role in American elections, occupying the place of most countries’ national election commissions. Here, the media actually assembles the results from 50 states, tabulates them and declares a victor.

Editors: J. Jesse Ramirez (University of St. Gallen) and Anna Marta Marini (Instituto Franklin–UAH)   We invite chapter proposals from scholars based in Europe whose work delves into the issues, configurations, and manifestations of the representation of Latinxs and the Latinx experience in popular culture and new media.

Scholars researching (self-identifying) women and ageing in the screen industries are invited to send chapter abstracts for an edited collection provisionally entitled Falling off a Cliff? Women, Ageing and the Screen Industries . The book will explore the gendered challenges facing women over 50 yrs. as they attempt to carve out and/or maintain a career in the screen industries, in front of and behind the camera.

Fig. 1: The Bakery Café in Christmas Town (2019) Ext. Day Long shot of snow covered small town. As the camera gets closer to the town lights on trees become visible. It begins to snow. Dissolve to Interior day. Mid shot of a woman sat at a computer typing. By the side of the key board is a cup steaming slightly with hot chocolate, whipped cream, mini marshmallows and a candy cane.

The research project ’Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for Children and Young Audiences’ (RYA) seeks to provide detailed knowledge about the production and reception of film, TV and online fiction for children, tweens and teens through in-depth analysis of the current strategies for creating engaging fiction for young audiences and extensive qualitative case studies of their media use.

Dear Santa, That’s 2020 almost over and done with. Again, I’ve tried very hard to be good. When Boris has told me not to go out, I’ve not gone out. And I’ve done my best to see if I can help people who are struggling. So – and you’re probably expecting this already – would it be possible to get La La Land Records’ four-disc set of the Voyage to the Bottom of the Sea (1964-1968) soundtrack please?

Fig. 1: The one thing I want it’s something I know I can’t have (…) I love you. I decided to write this because I felt an almost divine force compelling me to have everybody in TV studies aware of what is happening in a certain corner of the internet. Where to begin. I’ll start with the show itself. Supernatural (2005-2020) was an American television programme that aired on The CW network for 15 years.

The post originally appeared on the Syracuse University Press blog on December 1, 2020.   So, about a year ago, I was watching that Breaking Bad film on Netflix and Watchmen on HBO, and I was still thinking about the Deadwood movie from the previous spring.