The Journal of Screenwriting is calling for articles for a special issue on emerging screenwriting styles, modes, and languages, to be published in November 2022.

Edited by Dr. Dan Vena (Carleton University/Queen’s University) and Dr. Nael Bhanji (Trent University) In Transgender Studies Quarterly , Francisco J. Galatre (2014) suggests that transpedagodies should “offer students the tools they need to participate in the political and economic power structures that shape the boundaries of gender categories, with the goal of changing those structures in ways that create greater freedom” (146).

Guest Editors: Jaime Hyatt and Florian Wagner From its inception in the early 1990s, the field of ecocriticism has grown considerably in scope and scholarly impact.

To be considered for the edited volume, Queer TV China Contemporary China largely remains a hetero-patriarchal-structured society. Nevertheless, certain media and public spaces—though limited and compromised—are available for the negotiated survival and expressions of its gender, sexual, and sociocultural minorities (Bao 2018, 2020; Engebretsen 2014; Engebretsen and Schroeder 2015; Ho 2010; Kam 2013;

Both articles and book reviews should be sent before September 1st 2020 to: joelle.rouleau@umontreal.ca jlesage@uoregon.edu At first sight, “queer” and “television” might seem opposed.

Special Collection: Translation, Remediation, Spread: The Global Circulation of Comics in Digital Distribution Editors: Jonathan Evans, Kathleen Dunley and Ernesto Priego Timeline: CFP made public: May 2020 Deadline for first drafts: 30 June 2021 Initial editorial desk review: 30 August 2021 Peer Reviews due: 16 January 2022 Revised papers due: 30 June 2022 Estimated Publication of articles as they become ready: August 2022 Submissions called

We invite contributions to a RAEI special issue entitled Theatre and Performance Studies in English , edited by Isabel Guerrero (UNED) and Verónica Rodríguez Morales (University of Reading), to be published in July 2021 . Theatre and Performance Studies have made, little by little, their way into academia.

Let me greet you in the good old Scouse fashion. Alright? Because, you know, things have been tough, haven’t they? Recent events have again highlighted that racism runs rife in our societies; that some women and men remain – shockingly remain – at risk of being murdered or mistreated in other ways.

While most Danish film and television production was halted because of COVID-19, Jonas Risvig’s web series CENTRUM , co-created with teenagers, has used the extreme moment in time to make two no-budget episodes a week about being young during a pandemic. By Katrine Bouschinger Christensen and Eva Novrup Redvall

1991 was a bit of a disappointing year in some respects.

CfP for Special Publication of Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe: Pandemic Movies in Central and Eastern European Film and Television Guest edited by Raoul Eshelman, Mario Slugan, and Denise J. Youngblood