CALL FOR PAPERS: The Female Detective on TV MAI: Feminism & Visual Culture invites academic authors with expertise in television studies and other related disciplines to contribute to our upcoming special issue on female detectives on TV. For decades now, the female detective has occupied space within a genre that has been all-too-often reserved for the celebratory storylines of self-sacrificial men.

HORROR, CULT AND EXPLOITATION MEDIA IV: A WORKSHOP FOR PHD STUDENTS AND EARLY CAREER RESEARCHERS Northumbria University, UK, 7 May 2020   PhD students and Early Career Researchers working in the field(s) of “horror, cult and exploitation” screen media, are invited to submit abstracts about their research to deliver at a workshop at Northumbria University, UK, on Thursday 7 May 2020.

Hidden Figures of Screen Music and Sound One-day conference Tuesday 23 June 2020 Royal Holloway, University of London Deadline for proposals: Friday 27 March 2020 Much current academic and cultural discourse is rightly devoted to questions of representation, and to exposing structures of inequality.

There are lots of ways to interpret and answer this deceptively simple question. Being asked what we make of something is often an idiomatic invitation to discuss how we think or feel about it. It invites a sharing of opinion and opens up a process of evaluation. In broad terms, who the ‘*we’* is in this question determines what we make of the television archive.

So, in conclusion, I don’t think the order really matters. Do you?

In what follows, I wish to draw away from broader criticisms of Mr. Robot’s narrative consequences, and focus on a particular scene from Series 4, Episode 10, ‘ 410 Gone ’. Importantly, the following analysis will serve to elucidate upon a number of important significances related to the series and its conclusion (this will be discussed next week). Before reading the below, however, it is worth watching the scene in question:

Book title: **Detective dramas 1960s-80s – surreal, supernatural, and gentleman and gentlewomen righter of wrongs. ** Publisher: To be confirmed. ** Date of publication: ** 2022. ** Editor:** Chris Hart, University of Chester, UK. ** Rationale:** Three mainstream publishers have shown an interest in receiving a full proposal on

Trump, Television and the Media: From Drama to “Fake News” to Tweetstorms One-Day Conference: Friday 12 June 2020 London Metropolitan University The election of Donald Trump in November 2016 initiated a presidency that has become the most media-driven and media-critiqued in American history.

One-Day Conference: 29 June 2020 **Co-organised by Centre for Cultural and Creative Industries & Centre for Media Research ** Funded by Bristol+Bath Creative R+D Partnership Held at Bath Spa University, Newton Park Campus, Newton Park, Newton St Loe, Bath, BA2 9BN Confirmed keynotes: Professor Graham Thomas, Section Lead for Immersive Content, BBC

ECREA preconference on the relevance and persistence of traditional media co-organized by three ECREA Thematic Sections: Communication History, Radio Research, Television Studies. Media and communication studies today especially focus on questions surrounding how digital media and digitization have changed and revolutionized previous media ecologies.

ITV’s Love Island , where gorgeous singletons compete to find love, was the surprise reality hit of the last decade. Format sales tipped £1billion for ITV as the show was replicated all over the globe. It won the BAFTA for best reality show in 2018 and had done the unthinkable attracted back to appointment-to-view television the elusive 16-34 demographic.