He who fights with monsters should look to it that he himself does not become a monster (Nietzsche) For docudrama lovers like me, a new Peter Kosminsky production is always eagerly anticipated and the unfolding of The State over four consecutive evenings on Channel 4 last week made for a particularly intense viewing experience.

International conference hosted by the Department of Culture, Media and Creative Industries, King’s College London Jointly organized by: Media Industries Scholarly Interest Group, Society for Cinema and Media Studies (SCMS) Media Industry Studies Interest Group, International Communication Association (ICA) Screen Industries Work Group, European Network for Cinema and Media Studies (NECS) Media Industries and Cultural Production Section,

At the outset of Space and Place: The Perspective of Experience , Yi-Fu Tuan observes, “Space and place are basic components of the lived world; we take them for granted. When we think about them, however, they may assume unexpected meanings and raise questions we have not thought to ask.” Power relations are often negotiated through space and embedded in place, and these dynamics resonate through and within media.

Editors: Dr. Liora Elias (University of Minnesota, USA); Dr. Raechel Tiffe (Independent Scholar) Info for abstracts: Deadline September 29th; 250 word abstract – include name, title and affiliation Project: The last decade has brought changes for transgender people both on and off television.

Poetics: Journal of Empirical Research on Culture, the Media and the Arts Guest editors: Simone Varriale (University of Warwick, UK), Noa Lavie (The Academic College of Tel-Aviv Yaffo, Israel)   Globalization’s cultural effects have gained significant attention in the sociology of culture.

*** Co-organised by the Media Research Group of the Schools of Creative Arts and Humanities * REGISTRATION NOW OPEN:  http://store.herts.ac.uk/conferences-events/conferences-events/conferences/creative-arts/game-of-thrones-an-international-conference The University is in Hatfield, Hertfordshire, which 25 minutes, by train, from central London.

This past winter, two new Turkish online streaming services released their first Turkish original shows: In January, Blu TV released Masum and in March, Puhu TV released Fi . A look at the production and success of these shows reveals how streaming is globalizing the Anglo-American notion of quality programming—a homogenization that is contrary to multidirectionality arguments supported by the rise of new centers of production.

REVISITING NOSTALGIA AND THE HYPERREAL A Symposium at Oxford Brookes University Saturday January 13th 2018 This one day symposium aims to re-examine the discourse, debates, and products of the hyperreal in the light of contemporary media culture’s nostalgic impulses.

The past weekend saw the annual San Diego Comic Con (SDCC) take place, an event which, as Lincoln Geraghty (2014: 96-103) has argued, has come to assume an increasing point of centrality within the screen industries as various intellectual property holders and brands use this to create buzz for new and returning series alike.

In an account of Roland Kirk’s appearance on the television programme Soul! , Gayle Wald argues that the mediation of a television camera “renders the affective power of Kirk’s performance more immediate and more suspenseful than it might have been in a nightclub setting” (2015: 124-125). With these words, Wald explodes dominant myths in jazz regarding the primacy of live performance and counters widely-held suspicions regarding the

Preoccupation with theories and practices of representation and othering, across the breadth of various genres and disciplines, has moved forward debates about positioning in research and modes of constructing and producing knowledge.