There’s a general rule of thumb about the BBC Archives recognised by fans of old television – that we can confidently expect programmes from after late 1977 to survive. Thanks to the good work of Sue Malden in establishing BBC Archive guidelines, it was only at this time – rather late in the day in terms of recording technology – that a policy of systematically preserving BBC TV programming came into being.

This one-day conference seeks to explore representations of the body as strange, shameful, wrong, impaired, wounded, scarred, disabled, lacking, different or ‘other’ in contemporary media.  The advent of digital media has underlined the importance of visual culture and our curiosity in representations of the body to form opinions about ourselves and others.

2017 UK-China Media and Cultural Studies Association Annual Conference The television industry in China has experienced a process of marketisation, diversification, de-ideologisation, and entertainmentisation ever since media reforms of the late 1970s.

Big changes are taking place at Sky, even before the much anticipated buyout of non-Murdoch shareholders by Fox. This buyout is currently awaiting approval from Ofcom and the relevant minister. At least that isn’t John Whittingdale any more, but Karen Bradley is scarcely one to stand up to the all-powerful Murdoch machine.

A while ago, Martin Barker invited scholars to discuss the potential for the re-incorporation of Marxist ideas into audience studies. For a short time, a group of us discussed via email how Marxism might be re-introduced to the study of audiences. But very quickly, the group fell silent, largely, I assume as a result of our workloads that kept us from fully engaging in the discussion.

I’m back living in the US, courtesy of five months researching with the Latin American studies folks at Tulane U in New Orleans. After the banal surveillance and corporate vocabulary of English higher education, it’s an incredible tonic to be in a genuinely intellectual and largely progressive environment.

Previous blog posts by my Adapt colleague, Professor James Bennett, on our social media research project have focused on ‘Social Media in the Television Workplace’ and social media’s impact on the production of live TV. This post shifts our focus from The Voice, as a ‘shiny floor show’ with social production by a discrete digital unit, to draw on our subsequent ethnographic observations of Channel 4’s Sunday Brunch gallery

QUEER SCREENS CONFERENCE 2017 September 2nd and 3rd 2017 The Institute of the Humanities and the Gendered Subjects Research Group at Northumbria University, Newcastle Upon Tyne, UK Keynote speaker: Prof.

Organized by R+D Project “Relationship dynamics in the face of social change: contexts, content, producers, audiences, and produsers in the news programmes of TVE and YLE”. Main Researchers: M. Á. Vázquez Medel and M. Lamuedra Graván Deadline for abstracts: 15 february 2017 More info: https://mediospublicos.wordpress.com/inscripcion/ CALL FOR PAPERS Our system of representation of the

University of Winchester Faculty of Arts Research Seminar. All welcome. Wed 15 Feb, 4.30pm, FWB204 How Free is the BBC? Dr Tom Mills (Aston University) Is the BBC an authentically independent and impartial broadcaster? Or is it a mouthpiece of the government, the state and the Establishment?

Film and Screen Studies, School of Media, University of Brighton 27-28 July, 2017 Proposals are invited for an interdisciplinary 2 day conference at the University of Brighton In response to the news of the British government’s imposed changes to junior doctor contracts in 2015, actors from the BBC’s hospital drama Holby City and Channel 4’s […]