In June 2018, a stand-up comedy show called Nanette dropped on Netflix. Written and performed by the Australian comedian Hannah Gadsby, it would go on to attract overwhelmingly positive reviews in international media, to win a plethora of high-profile awards, including two Emmys, and to launch Gadsby into a transnational orbit of celebrification and adulation.
You are invited to submit 300-word abstracts for the forthcoming edited collection provisionally titled *Difficult Death: Challenging Cultural Representations of Death, Dying and the Dead in Media and Culture. *The interdisciplinary collection seeks to examine a range of representations of and engagement with death and dying across different media and cultural forms including film, television, new media, journalism, performing arts and
Journal of Italian Cinema and Media Studies Giallo! The Long History of Italian Television Crime Drama Special issue edited by Luca Barra (Università di Bologna) and Valentina Re (Link Campus, Rome)
[Cue Bill Paterson’s silkily smooth voiceover] Today, The Repair Shop is visited by Jaded Academic, who has brought a precious artefact – some might say, a national treasure – in the hope that Jay and the team can restore it to its former glory.
September 2020 saw the establishment of the Future of Media Commission in Ireland, which is tasked with considering the various challenges to Irish media and producing a series of recommendations that include how to fund public service media in a difficult environment. Among the challenges being investigated by the Commission are the funding of media, the impact of new technologies and new audience trends and behaviours. Fig.
Many years ago – although possibly not as many as that – I did used to do quite a bit of artwork. Mainly pencil sketching and the odd bit of pointillism with black ink pens… if a piece needed to be published. Not much in colour though. Never very good at that. Possibly when it came to inks and paints I was always a bit too impatient… and the pigments ran and merged and mixed and blended.
HBO’s recent series Lovecraft Country takes up the monsters of H. P. Lovecraft’s universe, but flips the script to make the heroes an African-American cast battling various demons in the Jim Crow era. Arguably, the show aimed at a re-appropriation or détournement of the pulp legend’s troubling racism, but critics seem divided on the show’s success.
The past three decades have seen a remarkable flourishing of documentary film in Russia: the cohort of documentary “masters” who came to prominence in the 1990s, such as Vitaly Mansky, Viktor Kossakovsky, and Sergei Loznitsa have been joined by a new generation of filmmakers, including Askold Kurov, Beata Bubenets, and Alina Rudnitskaya, to name but a few.
Please submit an abstract of no more than 300 words and a one-paragraph biography to SoundOnScreen2021@gmail.com by the deadline stated above. The inaugural Sound on Screen conference welcomes submissions from scholars that explore the relationship between music and/or sound and the screen.
When: May 11th – 14th 2021 Where: Online Keynote Speakers: Prof Richard Dyer (King’s College London) and Dr Abigail De Kosnik (UC Berkley) Institution: The Institute for Advanced Studies in the Humanities, University of Edinburgh This conference aims to examine how LGBTQ representation has changed through time, continues to evolve in the present, and what […]
Representation of queer identities in twenty-first century popular television has undergone massive shifts in the last decade. Whilst queer representation has formed part of the bedrock of reality television, queer representation in scripted television has received less scholarly attention. Thus, scripted television will be the focus of this special issue of *Queer Studies in Media &