My wife and I love elephants. They seem to be such caring, gentle creatures. And because of the shaping of their mouths behind their trunks, we graft that onto what we associate with human physiognomy and assume that they’re smiling and so that therefore these are happy animals. So we love them. We have a little elephant of our own.  Well, I say ‘our own’, but he’s a bit more of a time-share really.

Genre/Nostalgia 2021: An online film and television symposium on Wednesday 6 January 2021 Keynote speaker: Dr Kate Egan, Northumbria University: ‘Nostalgia for British Comedy’s Past: Monty Python, the 1960s and 1970s, and Fan Memories.’ Film and TV genres and nostalgia have long been intertwined. Fundamentally, both are rooted in the practice of creatively recycling and adapting modes of the past;

Issue edited by Fanny Beuré and Jules Sandeau This issue of TV/Series will focus on the relationship between stars and TV series within diverse cultural and historical contexts.

With Disney+, Apple TV+, and NBC’s Peacock joining Netflix, Amazon Prime, HBO Go, Hulu, Crunchyroll, ESPN+, and CBS All Access, industry observers and tech writers have declared that we now live in an era of “peak streaming TV.” Yet, even as this surfeit of services promises easy access to immense archives of video content – both past and present – it is worth asking what gaps, fissures, and fractures might exist within these collections;

Glastonbury 2020 had no mud, no rain, no twelve-hour traffic tailbacks or the costly clean-up in the aftermath of 200,000 plus festival goers leaving behind Worthy Farm for another year.

Key findings from a new report by the Danish Film Institute. By Petar Mitric and Pia Majbritt Jensen

In 2022, one hundred years will have passed since the formation of the British Broadcasting Company, later to become the pioneering public service broadcaster best known as the BBC. The BBC has had an enormous impact on television culture in its first one hundred years, providing a blueprint for independent publicly funded broadcasting.

Guest editors: Katharina Niemeyer (University of Québec in Montréal) Magali Uhl (University of Québec in Montréal) Deadline for full proposals: 15th November 2020 (for publication in May 2021).   What place does or could Jean Baudrillard occupy in media studies, visual studies, and art theory today?

Though ubiquitous across stage, page and screen, images of siblings remain an under-researched and under-discussed phenomenon. The relationships, rivalries, conflicts and collaborations between brothers and sisters are frequently overlooked, and yet offer the possibility for fascinating discussion and insight into a wide range of cultural texts.

The body *on *the screen and the body *of *the screen have always formed a compelling and productive pairing. From apparatus theory to production and exhibition histories, these two conceptualizations of cinematic bodies remain valuable avenues for reflecting on the use of images, their visibility, materiality, and presentation.

In the first part of this blog, my discussion of Dark concentrates on the ways in which the series stands out in relation to other examples of complex television in two senses, in the considerably higher level of complexity of plot and narrative and in the self-referential relationship to this complexity.