Let me greet you in the good old Scouse fashion. Alright? Because, you know, things have been tough, haven’t they? Recent events have again highlighted that racism runs rife in our societies; that some women and men remain – shockingly remain – at risk of being murdered or mistreated in other ways.

While most Danish film and television production was halted because of COVID-19, Jonas Risvig’s web series CENTRUM , co-created with teenagers, has used the extreme moment in time to make two no-budget episodes a week about being young during a pandemic. By Katrine Bouschinger Christensen and Eva Novrup Redvall

1991 was a bit of a disappointing year in some respects.

CfP for Special Publication of Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe: Pandemic Movies in Central and Eastern European Film and Television Guest edited by Raoul Eshelman, Mario Slugan, and Denise J. Youngblood

Edited by Monica Dall’Asta, Jacques Migozzi, Federico Pagello, Andrew Pepper To talk about the crime genre—as opposed to detective or spy or noir fiction—is to recognise the comprehensiveness of a category that speaks to and contains multiple sub-genres and forms (Ascari, 2007). In this volume, we want to uncover the ways in which the crime genre, in all of its multiple guises, forms and media/transmedia developments, has

We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards;

This is the final Call for Papers for the edited book ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book analyses, deconstructs and challenges representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art and computer games.

We are in more than an evolution.  We are in a revolution of communication and cinema or movies or whatever you want to call it. — Martin Scorsese, 19 December 2019 (Galloway 106)   Martin Scorsese first moved to Hollywood in 1971.

‘Have you noticed how poetic and philosophic the titles of some of those tough American drama series are getting on TV? Tonight’s Sam Benedict (1962-1963) [i] story on London ITV at 8.0, for instance is called Green Room, Grey Morning . Last week it was Run Softly, Oh Softly . And before that Not Even the Gulls Shall Weep . Dr Kildare (1961-1966) appears tonight (BBC 8.0) in Love is a Sad Song . Last

** ** The entertainment industries create the most widely circulated popular images of children and childhood, and yet the role of children in celebrity studies warrants further study.

Date: 10th Jun 2020 Event time: 14:00 to 15:00 We will be livestreaming this talk, with login details available on this page on the day. Malcolm Hulke (1924-1979) was a successful writer for radio, television and the cinema from the 1950s to the 1970s.