Anyone who’s interested in documentary – whether on TV, cinema or online – must inevitably face questions about war. Ignoring documentaries that deal with war would mean discounting some of the most important moments of documentary history, as well as missing a continuing effort to understand, as well as represent, the appalling phenomenon of war itself.

Call for Papers: “London: Gateway to Cinema and Media Studies”, 18-20 July 2019 Location Notre Dame London Global Gateway 1-4 Suffolk Street London SW1Y 4HG As the inaugural event for SCMS Partners, the University of Notre Dame will partner with the Society for Cinema and Media Studies (SCMS) and Kings College London (KCL) to present the summer symposium, “London, Cinema and Media Gateway,” July 18-20, 2019.

“… these violent delights have violent ends” Contemporary screen violence is inextricable from seismic shifts in gender relations, growing schisms in personal and political belief systems, and a polarization of public sentiment, highlighted in the Anglo-American West in the election of Donald Trump in the US and the Brexit referendum in the UK. We have witnessed growing racism, transphobia, homophobia, sexism and misogyny.

The 4thVampire Academic Conference  Lauderdale House, Highgate Village, London 10th-13thJuly 2019  ‘Hammer, Highgate And The Vampyre’   MAIN THEMES: The Undeath of Hammer Films  The Tall Tale of the Highgate Vampire Two Centuries of Polidori’s The Vampyre   KEYNOTE PRESENTATIONS: Kim Newman Kim Newman is a novelist, critic and broadcaster.

RTÉ recognises that it is in the privileged position of reflecting and shaping our understanding of our society and culture. Few organisations are as influential in Ireland or require greater trust than RTÉ.“ (RTÉ spokesperson, 2017) In 2018 the Irish state broadcaster issued its 2018-2020 diversity and inclusion strategy.

With the Christmas period well and truly upon us, it seems only fitting to consider the time-honoured, festive tradition of bingeing. For better or for worse, Christmas has become synonymous with the act of bingeing – not just because of the copious amounts of mince pies and mulled wine that we might consume, but also because of the increased amount of television that we typically view during the festive period.

This second blog offers some thoughts on how aesthetic complexity in drama has been developed for television followed by the possibility of an evaluative method for a medium (unlike film) which has been difficult to judge. Due to its long association with cultural studies, television has been analysed primarily as a form of communication rather than as a textual system which is capable of criticism.

We invite abstracts for an edited collection investigating the theoretical, empirical and instructional aspects of what can be envisioned as visual pedagogies, offering classic, creative, and contemporary re-workings of these paradigms. The book will be divided into three complementary sections with an editor in charge of each.

A transdisciplinary early-career research Symposium hosted by the LSE Department of Media and Communications Extended abstracts of 750-1,000 words Submission deadline: 15 ^th January 2019 We are currently inviting extended abstracts for papers to be considered for publication at the LSE Department of Media and Communication’s upcoming research Symposium, to be held in London in

Folk Horror in the 21st Century, is a two-day conference to be hosted by Falmouth University (UK) on Thursday September 5 and Friday September 6, 2019.

XXVII IAMHIST Conference POWER AND THE MEDIA (Northumbria University, Newcastle upon Tyne, 16-19 July 2019) Confirmed keynote speakers include: James Curran (Goldsmiths, University of London) Jennifer Smyth (University of Warwick) Papers and panels are invited for the 2019 conference of the International Association for Media and History.