Title : Make America Hate Again: Trump-Era Horror &

Some of you may have read my previous blog on Comfort Telly, where I pondered if in the end the value of this type of TV Drama is in its actors and performances. (Granted, that the writing is central as well.) Last year ITV resurrected or rebooted their nineties success series Cold Feet (ITV, 1996 -) and with its return this week, I’ve been thinking back on series 6 or series 1 of the reboot.

At the end of the year BBC4 will be screening the third and final series of Detectorists (BBC/Channel X 2013 -), the sitcom written, directed by and starring Mackenzie Crook about a group of metal detector enthusiasts (‘detectorists’) in East Anglia.

[et_pb_section admin_label=“section”] [et_pb_row admin_label=“row”] [et_pb_column type=“4_4″] [et_pb_text admin_label=“Text”] Since its debut in 2010, HBO’s Game of Thrones has attracted a significant amount of criticism and celebration.

Watching a public beheading, Jalal (Sam Otto) begins to question Islamic State. For docudrama lovers like me, a new Peter Kosminsky production is always eagerly anticipated and the unfolding of The State over four consecutive evenings on Channel 4 last week made for a particularly intense viewing experience.

International conference hosted by the Department of Culture, Media and Creative Industries, King’s College London Jointly organized by: Media Industries Scholarly Interest Group, Society for Cinema and Media Studies (SCMS) Media Industry Studies Interest Group, International Communication Association (ICA) Screen Industries Work Group, European Network for Cinema and Media Studies (NECS) Media Industries and Cultural Production Section,

At the outset of Space and Place: The Perspective of Experience , Yi-Fu Tuan observes, “Space and place are basic components of the lived world; we take them for granted. When we think about them, however, they may assume unexpected meanings and raise questions we have not thought to ask.” Power relations are often negotiated through space and embedded in place, and these dynamics resonate through and within media.

Editors: Dr. Liora Elias (University of Minnesota, USA); Dr. Raechel Tiffe (Independent Scholar) Info for abstracts: Deadline September 29th; 250 word abstract – include name, title and affiliation Project: The last decade has brought changes for transgender people both on and off television.

Poetics: Journal of Empirical Research on Culture, the Media and the Arts Guest editors: Simone Varriale (University of Warwick, UK), Noa Lavie (The Academic College of Tel-Aviv Yaffo, Israel)   Globalization’s cultural effects have gained significant attention in the sociology of culture.

*** Co-organised by the Media Research Group of the Schools of Creative Arts and Humanities * REGISTRATION NOW OPEN:  http://store.herts.ac.uk/conferences-events/conferences-events/conferences/creative-arts/game-of-thrones-an-international-conference The University is in Hatfield, Hertfordshire, which 25 minutes, by train, from central London.

This past winter, two new Turkish online streaming services released their first Turkish original shows: In January, Blu TV released Masum and in March, Puhu TV released Fi . A look at the production and success of these shows reveals how streaming is globalizing the Anglo-American notion of quality programming—a homogenization that is contrary to multidirectionality arguments supported by the rise of new centers of production.