PART I In this first section Euryn Ogwen discusses the beginnings of S4C, and the specific meaning and genealogy of the logo, taking us up to the very first second of the new channel, Sianel Pedwar Cymru… Dafydd Sills-Jones: Ready? Euryn Ogwen Williams: Ready.
Oooohhh… BBC One’s Line of Duty (2012-2021 maybe sort of) was a bit good wasn’t it? Wasn’t that captivating television? In fact, I may have mentioned that before. Apologies. Sorry.
Preliminary title: Audiovisual Content for Children and Adolescents in the Nordics: Production, Distribution, and Reception in a Multi-Platform Era Editors: Pia Majbritt Jensen, associate professor, Aarhus University, Denmark Eva Novrup Redvall, associate Professor, University of Copenhagen, Denmark Christa Lykke Christensen, associate Professor, University of Copenhagen, Denmark **Contact: ** Pia
The more identities a man has, the more they express the person they conceal. — John le Carré, Tinker, Tailor, Soldier, Spy (207) The spy is the quintessential protagonist for our digital globalist era. A secret agent works undercover, slips in and out of various aliases, while piecing together bits of information that sometimes lead to a deeper understanding of what’s going on.
Why is there so little TV scholarship about TV and sport? Compared to the reams about Netflix, there’s hardly a decent book to be found anywhere, and nothing it seems after Garry Whannel’s Fields in vision : Television sport and cultural transformation of 2005, and Toby Miller, Geoffrey A. Lawrence, Jim McKay, and David Rowe’s Globalization and sport : Playing the world from 2000.
A conference hosted by Journalism@Newcastle and Ethical Space, the International Journal of Communication Ethics. 23 June 2022 – Deadline for abstracts 29 October 2021 True crime has a long and popular history in journalism, literature, drama, radio, film and television – and now the podcast.
Sir Humphrey Burton, 90 in March and now publishing his long-awaited autobiography In My Own Time, is that rare beast: a television executive liked by programme-makers. Twice the Head of BBC TV’s Music &
On 2nd May 2021, on a Sunday night, the BBC serial Line of Duty (2012-) ended its 6th series in a finale which was watched by an average of 12.8 million viewers a record for the World Productions-produced BBC police corruption drama.
Oooohhh… BBC One’s Line of Duty (2012-2021 maybe sort of) was a bit good wasn’t it? Wasn’t that captivating television? And, even better, turn over to BBC Four at the end and you can enjoy its spiritual predecessor Between the Lines (1992-1994) and appreciate how far the humble long, thin, narrow mark has come on television across the last few decades. A schedule more crammed with lines than any other.
The Centre for Television Histories (University of Warwick) was established in 2015 with the aim of developing new, innovative, impactful research in the field of television history.
Edited by Dr Simone Driessen, Bethan Jones, Dr Benjamin Litherland. It has become increasingly clear that fandoms and participatory culture are sites of controversy, conflict and even complicity, complicating earlier assessments that sought to celebrate creativity, collegiality, and community.
