Confirmed Keynotes: Dr Dima Ayoub, Assistant Professor of Arabic and Middle East Studies, Middlebury College. Dr Golnar Nabizadeh, Lecturer in Comics Studies, Dundee University. Kenny Glenaan, BAFTA Scotland winning theatre, television and film director: https://www.kennyglenaan.com/ For the 2021 edition of the Association of Adaptation Studies conference, we are seeking proposals on the topic of Journeys: Memory and Migration.

Last week, a number of UK TV executives discussed strategies for programming television, particularly at this time, during the pandemic, during the BBC’s Digital Cities Virtual Events. And pretty much all came to the same conclusions: that what audiences want, right now, is warm-hearted, comfort-television.

Ironic disclaimer: these views are my own. On the 29 ^th of October 2020, the BBC announced new plans to censor regulate the way that many of its employees use social media.

Content warning: COVID-19; pandemic. ** ** Back in early February, as the first outbreak of COVID-19 swept across the globe and I began encountering nightly news reports detailing the escalating numbers of deaths, I somewhat glibly tweeted that it was time to dig out my box set of 1970s BBC drama Survivors (1975-7) as preparation for the ensuing events. In hindsight, I’m not proud of that comment;

An entirely not-secret diary by John Ritchie (aged 47 and a half-ish) Ohferfuckssake is it that time again already? [1] Yes, it is. I’m back and you, you, you lucky things lovely people are either giving up around now or going on to see what I’ve been ‘thinking’ about for the last few months.

How are we all getting on, then? I have just heard that London is moving into Tier 2 at the weekend (or last weekend, by the time you read this), but to be honest it won’t make all that much difference to me, as I rarely welcome people across my threshold at the best of times. As to work, I must say the time is flying by – but not always in a positive sense.

This year has seen the passing of two of the principal actors in The Avengers (ITV, 1961-69), Honor Blackman and Diana Rigg.

By Christa Lykke Christensen, member of research project Reaching Young Audiences

‘Our goal’, Ronald D. Moore wrote in the mission statement for his Battlestar Galactica (Universal 2004-9), ‘is nothing else than the reinvention of the science fiction television series’ and so did they all those involved in the production of one of the most important American television dramas.

The afternoon before my Dad died I was at the house with my kids. There was a blackout – we’d noticed because the iPad and computers stalled – but Dad hadn’t moved. There he still sat in his chair, dozing/glancing/dozing in front of the TV. “Dad, has the TV gone off”? I asked? “Oh yeah, I guess so”, he said with a smile.

DWFTH 5 revised for 2021: New call for papers–‘Histories of Women in Film and Television: Then and Now.’ A Hybrid Conference: July 10 – 11, 2021 (virtual and on-campus at Maynooth University, Kildare, Ireland) Supported by Women’s Film & Television History Network, this call for papers is made in collaboration with ‘Women and the BBC’, a special themed issue of Critical Studies in Television.