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CFPCFPs JournalsMedya ve İletişimİngilizce
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Guest editors: Katharina Niemeyer (University of Québec in Montréal) Magali Uhl (University of Québec in Montréal) Deadline for full proposals: 15th November 2020 (for publication in May 2021).   What place does or could Jean Baudrillard occupy in media studies, visual studies, and art theory today?

CFPCFPs ConferencesJanuaryMedya ve İletişimİngilizce
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Though ubiquitous across stage, page and screen, images of siblings remain an under-researched and under-discussed phenomenon. The relationships, rivalries, conflicts and collaborations between brothers and sisters are frequently overlooked, and yet offer the possibility for fascinating discussion and insight into a wide range of cultural texts.

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The body *on *the screen and the body *of *the screen have always formed a compelling and productive pairing. From apparatus theory to production and exhibition histories, these two conceptualizations of cinematic bodies remain valuable avenues for reflecting on the use of images, their visibility, materiality, and presentation.

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Fig. 1: Dark (Netflix, 2017-20) In the first part of this blog, my discussion of Dark concentrates on the ways in which the series stands out in relation to other examples of complex television in two senses, in the considerably higher level of complexity of plot and narrative and in the self-referential relationship to this complexity.

CFPCFPs JournalsMedya ve İletişimİngilizce
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International coproduction, which Michelle Hilmes (2014:10) defines as “a partnership between two or more different national production entities” located in different countries, is exerting a notable influence on the creation of new high-end TV dramas produced outside the US. As ‘peak TV’ continues to expand the annual volume of US-produced TV fiction to unprecedented levels (Koblin 2020), continuing audience demand for distinctive original

CFPCFPs Books/edited CollectionsMedya ve İletişimİngilizce
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Vernon Press invites book chapter proposals for a forthcoming scholarly volume on representations of disability in science fiction, a peer-reviewed collection of essays that will examine how disability identity and experience have been shaped through the science fiction genre.

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Open Philosophy invites submissions for the topical issue “Ethics and Politics of TV Series,” edited by Sandra Laugier (Université Paris 1 Panthéon Sorbonne, ERC DEMOSERIES), prepared in collaboration with the European Research Council project DEMOSERIES. TV series are increasingly recognised in current research.