Both articles and book reviews should be sent before September 1st 2020 to: joelle.rouleau@umontreal.ca jlesage@uoregon.edu At first sight, “queer” and “television” might seem opposed.

Special Collection: Translation, Remediation, Spread: The Global Circulation of Comics in Digital Distribution Editors: Jonathan Evans, Kathleen Dunley and Ernesto Priego Timeline: CFP made public: May 2020 Deadline for first drafts: 30 June 2021 Initial editorial desk review: 30 August 2021 Peer Reviews due: 16 January 2022 Revised papers due: 30 June 2022 Estimated Publication of articles as they become ready: August 2022 Submissions called

We invite contributions to a RAEI special issue entitled Theatre and Performance Studies in English , edited by Isabel Guerrero (UNED) and Verónica Rodríguez Morales (University of Reading), to be published in July 2021 . Theatre and Performance Studies have made, little by little, their way into academia.

Let me greet you in the good old Scouse fashion. Alright? Because, you know, things have been tough, haven’t they? Recent events have again highlighted that racism runs rife in our societies; that some women and men remain – shockingly remain – at risk of being murdered or mistreated in other ways.

While most Danish film and television production was halted because of COVID-19, Jonas Risvig’s web series CENTRUM , co-created with teenagers, has used the extreme moment in time to make two no-budget episodes a week about being young during a pandemic. By Katrine Bouschinger Christensen and Eva Novrup Redvall

1991 was a bit of a disappointing year in some respects.

CfP for Special Publication of Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe: Pandemic Movies in Central and Eastern European Film and Television Guest edited by Raoul Eshelman, Mario Slugan, and Denise J. Youngblood

Edited by Monica Dall’Asta, Jacques Migozzi, Federico Pagello, Andrew Pepper To talk about the crime genre—as opposed to detective or spy or noir fiction—is to recognise the comprehensiveness of a category that speaks to and contains multiple sub-genres and forms (Ascari, 2007). In this volume, we want to uncover the ways in which the crime genre, in all of its multiple guises, forms and media/transmedia developments, has

We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards;

This is the final Call for Papers for the edited book ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book analyses, deconstructs and challenges representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art and computer games.

— Martin Scorsese, 19 December 2019 (Galloway 106)   Martin Scorsese first moved to Hollywood in 1971.  He was an outsider then, regularly hanging out with other young aspiring directors of the so-called film generation, especially the slightly older Francis Coppola and Brian DePalma, along with his immediate peers, Steven Spielberg, George Lucas, and John Milius (Pye and Myles).