CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, “Formation”—Regina N. Bradley & André Carrington Mitski, “My Body’s Made of Crushed Little Stars”—Liana Silva &

Editor’s Note: Welcome to the second installment in the “DH and Listening” blog series for World Listening Month, our annual forum that prompts readers to reflect on what it means to listen.

Editor’s Note : Today we start off a series, a propos for World Listening Day 2016 on digital humanities and listening.

SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome! — In July 2016, we, Scott Carlson and Norie Guthrie, ­­began the Indie Preserves blog, but this is actually not the best place to start.

CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine Lutz–founders of the New Brunswick Music Scene Archive, at Rutgers University–as they converse with a panel of seasoned veterans from the New Jersey music scene.

This beat ‘bout to get murdered Thought this was Future when I heard it –Uncle Murda (“Panda” remix) Desiigner sounds kinda like Future. Probably you’ve noticed? Everyone else has.

Rui Chaves will be documenting his creation of Nendu— an archive of Brazilian sound artists—in real time on Sounding Out! throughout  2016-early 2017. A P ortuguese version of Chaves’s journals was published in Linda , an online platform created by a composers’ collective called NME.

When the narrator of the Old English poem Exodus declares “Gehyre se ðe wille” (Let him hear who will), what sounds is he asking us to attend to? [Note: Text from Peter Lucas’s edition, 7b.  All translations are author’s own.] This post argues that the Old English noun cirm (noise, shout, outcry) challenges our conceptualization of noise.

SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome! — What is it about the environmental soundscape which makes us ‘tune-in’ or ‘tune-out’ to particular sounds?

Can you imagine what would happen if young people were free to create whatever they wanted?

With the premier last month of Lemonade , her second visual album, Beyoncé didn’t make the world stop so much as she make it revolve: around her, around her work, around black women.