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The Scholarly Kitchen is the blog of the Society of Scholarly Publishers, and as such discusses lots of issues that are of interest to us. But a while back, I gave up commenting there two reasons. First, it seemed rare that fruitful discussions emerged, rather than mere echo-chamberism;

As we all know, University libraries have to pay expensive subscription fees to scholarly publishers such as Elsevier, Springer, Wiley and Informa, so that their researchers can read articles written by their colleagues and donated to those publishers.

In his post on Vicki’s new book Broken Bones , Matt told us his twelve-step process for producing stippled illustrations like this one of a crushed skull, which became the cover image of the book: {.aligncenter .size-full .wp-image-9460 loading=“lazy” attachment-id=“9460” permalink=“http://svpow.com/2013/12/18/vickis-book-broken-bones-is-out/skull-drawing-f1-original-on-white/”

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I thought Elsevier was already doing all it could to alienate the authors who freely donate their work to shore up the corporation’s obscene profits. The thousands of takedown notices sent to Academia.edu represent at best a grotesque PR mis-step, an idiot manoeuvre that I thought Elsevier would immediately regret and certainly avoid repeating.

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It’s now widely understood among researchers that the impact factor (IF) is a statistically illiterate measure of the quality of a paper.

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Many thanks to everyone who played pin-the-skull-on-the-carnivore. The answers are down at the bottom of this post, so if you’ve just arrived here and want to take the challenge, go here before you scroll down. To fill up some space, let me point out how crazy variable the skulls of black bears, Ursus americanus , are.

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