Where is the Star?: Special Issue of Celebrity Studies Journal (eds. Martin Shingler and Lindsay Sternberg)* The Celebrity Studies Journal is planning a special issue on film stars and stardom, co-edited by Martin Shingler and Lindsay Steenberg. This will explore the current state of celebrity studies and celebrity media culture by focussing specifically on the work of film stars within this arena.

On October 5th 1999, the first episode of Angel – the spin-off to Buffy the Vampire Slayer – aired on the WB.  The television show ran for five seasons and ended with a bang – or at least with a dragon – on May 19th 2004.

The Canadian Review of American Studies (University of Toronto Press) is seeking papers for a special issue on the Game of Thrones fantasy series.

We are seeking proposals for a symposium to be hosted by the School of Arts and Creative Industries at Edinburgh Napier University on May 5-6, 2018. Organisers: Dr Arin Keeble (Edinburgh Napier) and Dr Sam Thomas (Durham). Keynote: Professor Stephen Shapiro (Warwick University) Contemporary US television is frequently conceived of, promoted and analysed as “literary”. Following the

Title: Make America Hate Again: Trump-Era Horror &

Some of you may have read my previous blog on Comfort Telly, where I pondered if in the end the value of this type of TV Drama is in its actors and performances. (Granted, that the writing is central as well.) Last year ITV resurrected or rebooted their nineties success series Cold Feet (ITV, 1996 -) and with its return this week, I’ve been thinking back on series 6 or series 1 of the reboot.

At the end of the year BBC4 will be screening the third and final series of Detectorists (BBC/Channel X 2013 -), the sitcom written, directed by and starring Mackenzie Crook about a group of metal detector enthusiasts (‘detectorists’) in East Anglia.

Since its debut in 2010, HBO’s Game of Thrones has attracted a significant amount of criticism and celebration.

He who fights with monsters should look to it that he himself does not become a monster (Nietzsche) For docudrama lovers like me, a new Peter Kosminsky production is always eagerly anticipated and the unfolding of The State over four consecutive evenings on Channel 4 last week made for a particularly intense viewing experience.

International conference hosted by the Department of Culture, Media and Creative Industries, King’s College London Jointly organized by: Media Industries Scholarly Interest Group, Society for Cinema and Media Studies (SCMS) Media Industry Studies Interest Group, International Communication Association (ICA) Screen Industries Work Group, European Network for Cinema and Media Studies (NECS) Media Industries and Cultural Production Section,

At the outset of Space and Place: The Perspective of Experience , Yi-Fu Tuan observes, “Space and place are basic components of the lived world; we take them for granted. When we think about them, however, they may assume unexpected meanings and raise questions we have not thought to ask.” Power relations are often negotiated through space and embedded in place, and these dynamics resonate through and within media.