I have finally watched Hannibal (NBC, 2013-2015). I binged it in less than a week. If you think that is a good sign, think again. I just wanted to get past it. There was no savouring going on or getting addicted. No. On the contrary: I wanted to finish it as quickly as possible. I thought the programme was utterly – and excuse my lack of a better technical term – naff.

SPOILER ALERT and – I guess – ADVERTISEMENT FEATURE: The following text gives away the conclusion to a television show that nobody’s seen in almost 60 years… but which you might well want to enjoy if you’re treating yourself to a rather nice new Blu-ray set.   “I thought there were fifty-one episodes of Maigret plus the pilot with someone other than Rupert Davies.

“[W]hen women in the movement use herstory , their purpose is to emphasize that women’s lives, deeds, and participation in human affairs have been neglected or undervalued in standard histories,” wrote the feminist activist Casey Miller and activist/linguist Kate Swift in their publication Words and Women (1976: 135). 40 years later, the goals for equality that second wave feminists like Miller and Swift fought for are far from

Oh, football. It does rather take over, doesn’t it? As one who has oft written of his dependence on the broadcast schedule, I struggle to comprehend why the commencement of another international sporting competition means I can’t watch Have I Got News for You of a Friday evening.

This interview was first published in Welsh on Golwg/Gwerddon On March 15, 2021, Euryn Ogwen Williams, one of the most widely influential and long-standing figures in British broadcasting, passed away. Many obituaries have paid tribute to his longevity, creativity and generosity across a range of broadcasting areas during his long and illustrious career.

Fig. 1: promo banner, Sweet Tooth (Netflix, 2021) We invite chapter proposals (300-500 words) for a volume of essays under contract with Lexington Books. This edited collection will examine how animal characters in film and television serve as protagonists, antagonists, or anti-heroes fulfilling various narrative functions.

Console-ing Passions was founded in 1989 by a group of feminist media scholars and artists looking to create a space to present work and foster scholarship on issues of television, culture, and identity, with an emphasis on gender and sexuality. The first Console-ing Passions conference was held at the University of Iowa in 1992.

So, when I started to think about this post, I initially planned on writing about Zack Snyder’s Justice League , that sweeping superhero epic that dropped on HBO Max this past March.

This interview was first published in Welsh on Golwg/Gwerddon On March 15, 2021, Euryn Ogwen Williams, one of the most widely influential and long-standing figures in British broadcasting, passed away. Many obituaries have paid tribute to his longevity, creativity and generosity across a range of broadcasting areas during his long and illustrious career.

Guest Editors: Valentina Romanzi and Bruno Walter Renato Toscano The quest to define the true essence of US identity dates back to colonial times, long before the nation itself was formally established.

Journeys Across Media: a Postgraduate Conference 15th^ ^September 2021 Department of Film, Theatre & Television, University of Reading Beyond the Pandemic – productive and situational legacies in media The potential for a successful global vaccine rollout means a possible return to pre-pandemic media practices.