I first started writing this blog some weeks ago after I was lucky enough to be invited along to a review performance of the Broadway stage play, Good Night, and Good Luck.

Should a series be watched in production, broadcast, or some other order? Most viewers will never consider this question, only turning their minds to the order in which episodes are aired or queued up on a DVD or streaming service if parts of an ongoing story are shown out of sequence.

The Star Wars franchise is perhaps best known for its rather Manichean outlook on good and evil as expressed through the ‘Dark (evil) Side’ and ‘Light (good) Side’ of the Force (similar to 气, qi, or breath/spirit in Daoism) expressed through the Jedi, a type of warrior-monk.

The AHRC What’s On? Project Team: Beth Johnson, Dave O’Brien, Laura Minor, Anna Viola Sborgi What’s Class Got to Do With It? Rethinking TV from the Inside Out School of Media and Communication, University of Leeds 19th September 2025 Keynote : Philip Ralph, award-winning writer of screenplays for television and film and plays for stage and radio Closing plenary panel A One-Day

Call for Papers – Transnational Perspectives on Anime: A Symposium, in collaboration with Japan Foundation London Location: Lancaster University Date: July 4th 2025 Anime studies has become a significant area of investigation with exponential growth throughout the 21st century and more specifically the past decade.

Watching the recent Severance season 2 finale “Cold Harbour,” I became increasingly intrigued with the show’s explorations of selfhood and autonomy, whereby the ‘innies’ are disposable tools – they are seen no longer as souls but are a distillation of Byung-Chul Han’s notion in Psychopolitics that “ persons are being positivized into things , which can be quantified, measured and steered” (2017, 12). The show

‘Do you come from the land Down Under? Where women glow and men plunder?’ ‘Down Under,’ Men at Work I feel like I have talked about this before (Beattie 2022;

The CHANSE ERA-NET project DIGISCREENS: “ Identities and democratic values on European digital screens: Distribution, reception, and representation ” is coming to an end in December 2025, and we would like to invite you to attend our final conference in Vilnius, Lithuania, on the 23rd and 24th of October . Confirmed keynotes: Cathrin Bengesser (Aarhus University) Ramon Lobato (Swinburne University of

I’m passionate about the written word but conversely, I’ve turned to digital media to encourage people to read.

I write biographies.  So far, I’ve written two, one on Hedy Lamarr, and another on the silent era Irish director, Rex Ingram. I have other entries on my CV  too, more usually conventional academic publications on Irish cinema. The biographies, which are slipped in between the monographs and articles are, and are not, similar. They are designed for a wider, general audience and written with that readership in mind.

It has been 20 years since the conference that inaugurated Critical Studies in Television. The twentieth anniversary gives us an opportunity to pause and consider where our subject is and might go. We will host a range of international scholars who will discuss television studies as a discipline.