Well, not exactly a virgin.

The new Sky Crime TV channel is entirely devoted to true crime documentaries.

An International Conference organised by ERC BodyCapital &

Join the Wayne State University Pop Culture Consortium for #WaynePop2020, our 6th annual Conference on Popular Culture! From Roots to *All the President’s Men, Maus *to Holocaust , our understanding of moments in history are often shaped by the media we consume.

Call for Papers: The Intermediality of the Screen: Mediation, Performance, Immersion Editors: Dr. Ian Robinson (Queen’s University) & Dr. Shana MacDonald (University of Waterloo) This edited collection aims to catalog, critique, and offer new theoretical and methodological accounts of the intermediality of performance culture and its intersections with screen technologies in the 21 ^st century.

If you live in any country other than Turkey, Hungary, India, Brazil, the USA or the UK (and a number of others more) you might be excused for thinking that life is … kind of as it has always been.

When Dirty Dancing is reduced to its dance sequences, the powerful politics of the film are erased. (Vestron Pictures) It’s 1963. Frances “Baby” Houseman (Jennifer Grey) is a college-bound teenager staying at Kellerman’s Mountain Lodge with her family. Johnny Castle (Patrick Swayze) is a dance instructor at the resort – and Baby’s love interest.

Hands on Media History: A New Methodology in the Humanities and Social Sciences . Eds. Nick Hall and John Ellis. Routledge, 2019. Media practice remains under-theorised. What actually happens when media artefacts are made is the last great mystery in our subject area. Practice is now a major part of many degrees, but those who teach it tend to have an inferiority complex in relation to their Theory Colleagues.

Seeking submissions for *The American West of David Lynch’s Filmography and in Twin Peaks: Essays on Regional Identity, Narratives, and History. *This book will be with McFarland Books. The films of David Lynch and transmedia series *Twin Peaks *with author Mark Frost have long held a reputation for innovation in film, television, and unconventional storytelling on screen and in novel. This collection will add a Western U.S.

Editors: Cathrin Bengesser, Pia Majbritt Jensen and Kim Toft Hansen. Although a widely popular genre for over a century, crime narratives are experiencing an unprecedented popularity all across Europe and across different media at the moment.

The special issue of Filmicon “Strategies of the Documentary” seeks to address the diverse aesthetic, historical, medial, and theoretical connections between moving images and all possible aspects of the ‘documentary.’ In light of the many facets of this key term, the issue does not confine itself to practices or traditions of documentary cinema in Greece.