by Sarah Büttner Große Ziele alleine anzugehen ist ein oftmals unmögliches Unterfangen. Daher war es nicht nur eine, sondern gleich drei Universitäten, die sich der Aufgabe widmeten, den Zweck und die Möglichkeiten von Forschungsdatenmanagement an ein breites Publikum heranzutragen.

by Sofie Sonnenstatter The IEG is involved in RESILIENCE, a research infrastructure project for Religious Studies and related disciplines, involving twelve partner institutions from ten European countries.

by Fabian Cremer This September, an online workshop on the publication of research data in the fields of History, which we offered for the first time, exceeded our expectations. The overwhelming interest, the engaging participants and the smooth flow of the event led us to a better understanding and (three) notable thoughts we would like to share.

by Jaap Geraerts COVID-19 has posed a challenge, to put it mildly, to how most of us go about living our lives. Either in our personal life or work life, most if not all of us had to make significant adaptions in order to deal with a world that still is in the grasp of pandemic. The experience I’d like to focus on in this blog post, is that of doing research at these unprecedented times.

A How-to have fun with DH on the road by generating 3D models from photos using Structure From Motion Photogrammetry by Sarah Lang The Digital Humanities have such a huge inventory of digital methods that it is pretty hard to keep up with the learning of new methods while working with others just recently learned.

by Anna Aschauer The IEG and our DH Lab is involved in ReIReS, a joint project building infrastructure on religious studies, about which my colleague Jaap Geraerts already wrote here.

by Monika Barget Für viele Geisteswissenschaftler:innen und Mitarbeiter:innen in der Forschungskommunikation sind Karten methodische Werkzeuge, um räumliche Beziehungen und Entwicklungen zu analysieren und zu vermitteln.

Präambel: Dieser Text ist ein kollektives Dokument, das keine zuordenbare Autorschaft hat. Die Entstehungsgeschichte dieses Textes geht zurück auf eine Lehrveranstaltung im Sommersemester 2020 zu Projektmanagement in den Digital Humanities im Masterstudiengang „Digitale Methodik in den Geistes- und Kulturwissenschaften“ an der JGU und Hochschule Mainz.

by Monika Barget In the second edition of Doing digital history with Python , I would like to address word clouds as a visual method of finding patterns in texts (see critical reflection in Basic Text Mining: Word Clouds, their Limitations, and Moving Beyond Them). Word clouds display the frequency or importance of individual keywords in individual texts or entire corpora.

von Thorsten Wübbena [Kontext] Vor ungefähr drei Monaten fand die DHd 2020 „Spielräume: Digital Humanities zwischen Modellierung und Interpretation“ in Paderborn statt und wie jedes Jahr brachte auch diese DHd-Tagung nicht nur Einblicke in aktuelle Forschungsfragen, sondern versammelte eine Community und schaffte Gelegenheiten für Diskussionen.

By Alessandro Grazi It was a cold, sunny, winter morning, and just like every other morning I was standing on a platform of Giessen’s train station. But this time I wasn’t headed to the IEG in Mainz, where I work, but to Innsbruck, Austria. No, the anticipation I felt wasn’t for an exciting skiing weekend on the Austrian Alps (I can’t ski, anyway!), but for the Transkribus User Conference 2020.