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BlogsSciences des médias et de la communicationAnglais
Publié
Auteur Jonathan Bignell

I have been writing about Samuel Beckett’s film and television plays for over 20 years, but until recently I had not studied screen adaptations of his theatre plays. A new collection of essays about adaptations of Beckett’s work after his death in 1989 gave me an opportunity to write about the Beckett on Film project (2001) that adapted all 19 of his theatre plays.

CFPCFPs Books/edited CollectionsSciences des médias et de la communicationAnglais
Publié
Auteur CSTonline

Nuns have a presence in cinema as longstanding as the medium itself, including the 1922 horror film Haxan . 2021’s Benedetta , a controversial but successful Paul Verhoeven film, is a recent restatement of the capacity for stories about women religious, or women in vocation normally called nuns, to be the source of powerful and successful works across all conceivable genres.

BlogsSciences des médias et de la communicationAnglais
Publié
Auteur John Ritchie

or Keeping it (un)Real or Questions at the End, thanks. Yes, I know, thank you so much for watching, I’m really happy that you recognised me from the telly and decided to let me know that you had.

CFPCFPs ConferencesOctoberSciences des médias et de la communicationAnglais
Publié
Auteur CSTonline

Panel Proposal Forty-Seventh Annual Conference of the German Studies Association October 5-8, Montréal, Québec, Canada From various ARD- and ZDF- Themenabende on “deutsche Glaubenskrieger” or “Die Islamdebatte”, to Fernsehfilme like *Unterwerfung *and Fernseh- and Streaming-Serien from Türkisch für Anfänger to 4 Blocks , to Friedrich Merz’ recent “kleine Paschas” statement on the Markus

CFPCFPs JournalsSciences des médias et de la communicationAnglais
Publié
Auteur CSTonline

A fundamental element of the American imaginary, superhero and heroic narratives have seen a new apogee since the turn of the century. New and old heroes and heroines have populated popular culture, giving rise to a variety of texts that tackle diversity, nostalgia, and the need for imaginaries and narratives that help us deal with the struggles inherent to our current times.

CFPSciences des médias et de la communicationAnglais
Publié
Auteur CSTonline

Dear colleagues, We have just launched a new survey investigating the use of ‘trigger warnings’ in the classroom: https://hass.eu.qualtrics.com/jfe/form/SV_6xvCqDBwF2uXvnw Trigger and content warnings are part of public space.

CFPCFPs ConferencesJulySciences des médias et de la communicationAnglais
Publié
Auteur CSTonline

A University of Brighton/CREAM, University of Westminster conference July 27 th and 28 th 2023, University of Brighton, Grand Parade, BRIGHTON** ** Organisers Dr. Christopher Hogg – C.Hogg@westminster.ac.uk (University of Westminster) Dr. Douglas McNaughton – D.Mcnaughton@brighton.ac.uk (University of Brighton) Overview Design is a key element of all sorts of television, but frequently neglected in academic

BlogsSciences des médias et de la communicationAnglais
Publié
Auteur Gary R. Edgerton

Why is there so little TV scholarship about TV and sports? —John Ellis   John Ellis posed this simple yet salient question in his think piece for this online forum back on 21 May 2021.  Given the outsize role that sports programming has played on TV around the world since the medium’s inception, it is indeed surprising that this subject has drawn such little interest from most television scholars over the years.

BlogsECREASciences des médias et de la communicationAnglais
Publié
Auteur Melissa Beattie

Picture it: Gaborone, Botswana, 2008. An international co-production between the US (HBO), UK (BBC) and South Africa (Film Afrika) is filming an adaptation of Scotsman Alexander McCall Smith’s book series about Tswana ‘lady detective’ Precious Ramotswe (Jill Scott in the adaptation), The No. 1 Ladies’ Detective Agency (HBO/BBC/Film Afrika, 2008-2009) .

BlogsSciences des médias et de la communicationAnglais
Publié
Auteur Andrew Pixley

Sometimes… just sometimes… you can go back… Oh, I’m not talking here about something as lazy as nostalgia.  We’ve debated the potential dangers of that before – of that attempt to wind time back to a point that you recall as being some idyllic perfect moment.  No, what I’m thinking about here is perspective and experience… and how they form enjoyment.