I am delighted to announce that The British Library (British Library) and City, University of London (City) will be offering a fully-funded PhD studentship (including fees and living allowance) on the research theme of ‘Understanding UK digital comics information and publishing practices: From creation to consumption.’ The supervision team for this particular collaborative PhD will be: City,
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[Leer y firmar carta aquí / read sign the letter here] [English version below] [He compartido aquí esta carta abierta para que quede registro de su existencia.
Cover of the German version of Parables of Care A new translation of Parables of Care makes comic about creative responses to dementia care available to German-speaking audiences
I have been reorganising hard drives and the like and came across this article I wrote on 28 January 2002, in Mexico City, for Mexican electronic music and culture magazine Urbe 01 . I have copied and pasted it below under the photograph. The dedication to Manrico was in the original.
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A s it’s that time of the year and Altmetric has released its 2018 Top 100, in this post I share the 2018 Top 100 research outputs with ‘comics’ as a keyword according to Altmetric. I queried the data from the Altmetric Explorer, looking for all outputs with this keyword between 13/12/2017 and 13/12/2018. I then refined the data to concentrate only on the Top 100 outputs about comics.
A re so-called ‘alternative’ metrics documenting attention to outputs from publishers, access types, funders, insitutitons and countries usually invisible via traditional citation metrics? Another way to put it is, can altmetrics contribute to higher visibility of outputs usually excluded from mainstream metrication?
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A s part of my Open Access Week 2018 activities, I will be doing an express trip to Rome on Wednesday 24th October 2018 to participate in the following event: Convegno di studi * * Ricerca scientifica, monopoli della conoscenza e Digital Humanities. Prospettive critiche dall’Europa del Sud La investigación científca, los monopolios del conocimiento y Humanidades Digitales.
