I note with sadness that William J. Samarin has passed away in Toronto on January 16, 2020 at the age of 93. An all too short obituary notes that he was “known for his work on the language of religion and on two Central African languages: Sango and Gbeya”. In linguistics, Samarin was of course also known for his extensive work on ideophones, playful and evocative words with sensory meanings.

After much postponement, writing the final report for my NWO Veni grant (2015-2018) turned out to be an unexpected pleasure. It made me realise a couple of things — key among them the role of serendipity in shaping fundamental research. The project was called “Towards a science of linguistic depiction”. Looking at the publications that came out of it and at imperfect indicators like citations, it’s made some useful contributions.

I have always had a fondness for things considered marginal in linguistics. The tide may be turning for at least some marginalia: work on ideophones is clearly on the rise, and initiatives such as Martina Wiltschko’s Eh lab at UBC and a new nonlexical vocalizations project at Linköping University show there is significant interest in this area.

I have always had a fondness for things considered marginal in linguistics. The tide may be turning for at least some marginalia: work on ideophones is clearly on the rise, and initiatives such as Martina Wiltschko’s Eh lab at UBC and a new nonlexical vocalizations project at Linköping University show there is significant interest in this area. Part I from my notes on a workshop on ‘Ideophones and non-lexical vocalizations’.

One of the key tasks scientists need to master is how to manage bibliographic information: collecting relevant literature, building a digital library, and handling citations and bibliographies during writing. This tutorial introduces Zotero (www.zotero.org), an easy to use reference management tool made by scholars for scholars. The tutorial covers the basics of using Zotero for collecting, organizing, citing and sharing research.

Academia.edu takes your academic work and puts it behind a privacy-defying signup form, laces it with ads, botches the metadata, and tries to appease you by offering stats and social ranking that promote constant comparison. What’s not to like?

PLOS ONE notoriously and astonishingly does not have a proofs stage: authors do not get to see how their work is typeset until the very day it appears. Worse, they have a policy of only correcting formatting errors that they themselves introduce by issuing a formal correction notice — a heavyhanded method that most other journals use only for serious errors of fact or process. Unnecessary corrections hurt authors.

Google Scholar is useful, but its inclusiveness and mix of automatically updated and hand-curated profiles means you should never take any of its numbers at face value. Case in point: the power couple Prof.

Words evolve not as blobs of ink on paper but in face to face interaction. The nature of language as fundamentally interactive and multimodal is shown by the study of ideophones, vivid sensory words that thrive in conversations around the world. The ways in which these “Lautbilder” enable precise communication about sensory knowledge has now for the first time been studied in detail.

Magritte’s best known work by far is of course his drawing of a pipe with the text Ceci n’est pas une pipe . He made several versions over the years, but the work originated in 1928 or 1929. The title Magritte gave to this painting is La trahison des images — the treachery of images.

Ideophones, like so many things in life, are easy to identify but hard to define. Many researchers have grumbled about the shortcomings of Doke’s descriptive characterization of ideophones (see discussion here), but few have attempted to formulate an alternative. For better or worse, I did, ¹ but it took me a few iterations to arrive at something that I felt worked well enough to be useful in cross-linguistic research.